Demo Tracks and Info
Trinity – Music for Angels
‘Music for Angels’ is the first in a series of relaxation CDs by Trinity, a new age project featuring space music veteran David Wright, Neil Fellowes (aka Geigertek) and Nigel Turner-Heffer. The three musicians are synonymous with the classic electronic band Code Indigo as well as other instrumental and electronic music projects like Callisto and Geigertek. But as “Trinity”, these three accomplished musicians follow a much more relaxed and chilled path into meditation style music.
‘Music for Angels’ is music for the heart and soul, a gorgeous blend of the beautiful strings and delicate keys of David & Neil, underpinned by the gentle acoustic guitar work of Nigel. This is unashamed new age music, with a hint of romanticism thrown in as well, with structure and emotional depth and purpose. And that sets Trinity apart from the crowd!
This is classic, space music style instrumental music, where three musicians combine their respective talents to present a unique vision of what ‘drifting meditation music’ should be. There’s superb interaction between the musicians along the way too, as Trinity gives you new age space music to savor! So sit back and journey to faraway lands as you explore the gentle, drifting, new age space music found on ‘Music for Angels’
Please don’t confuse this with the Boddy, Hoffmann-Hoock and Wright CD titled ‘Trinity’.
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Ross McGibbon –
Trinity is label-boss David Wright, a lynchpin of the British electronic underground for decades, Neil Fellowes and Nigel Turner-Heffer. They have previously been Code Indigo – a progressive synth band and teamed up in other combinations. Here they go for the calm. On the opening track floating synth, strumming acoustic guitar and the sound of a wind instrument make for a constant melodic progression without getting you physically involved. The second has repeated sequencer patterns and woodwind effects alongside a tinkly effect. A lovely bubbly deep guitar sound, a bit like Grant Green, burbles the whole along nicely for half an hour. The final track, another half hour, is very still, drifting slightly with vox celeste. There is almost no pulse and a woodblock sound decorates before a brightness arrives with lifting and cheery flute patterns. It fades slowly out to be replaced with rain / water sounds. If you ignore the terrible Angels concept, this is a very relaxing set with real value.
Ross McGibbon